Bian Xiaocen

Chinese Ceramic Artist 

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When we first visited Bian Xiaocen’s home studio in Lin’An, Zhejiang, he welcomed us with 11 beautifully prepared dishes served on his own ceramics. It felt like a scene from Ang Lee’s Eat Drink Man Woman, where food and ceramics blend seamlessly, embodying Xiaocen’s philosophy of functional yet intentional design—each piece crafted to perfectly enhance the dish it holds.

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For cooking enthusiasts and tableware collectors, selecting the perfect plate is a meaningful decision. Xiaocen’s ceramics are often the preferred choice, admired for their humble elegance that elevates food without overshadowing it, qualities that also reflect his own personality.

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Inspired by early Chinese pottery, especially pre-Tang dynasty works, Xiaocen values the raw, unrefined quality of that era. He appreciates how potters of the time embraced their individuality and the clay’s natural unpredictability. His creative process often starts with function, then evolves to capture an overall aura and finer details. He frequently uses a creamy engobe coating—an ancient technique rooted in China’s historical pursuit of “white” ceramics. This cosmetic slip creates a subtle blend between the clay body and glaze. During firing, these layers interact with the kiln’s variability, producing unique colors and textures. For Xiaocen, the joy lies in experimenting with these elements, embracing the unpredictable results that come from these layered interactions.